Gosia Kaminska
FILM ⎪VIDEO⎪ PHOTOGRAPHY⎪JOURNALISM
Gosia Kaminska
FILM ⎪VIDEO⎪ PHOTOGRAPHY⎪JOURNALISM
SKILLSProven experience in media production, including creating, producing, and localizing digital and broadcast content for film, television, video, and web platforms.Highly creative with a strong audiovisual background.Skilled in post-production for film, video, TV, and online media.Experience as a video director, video journalist, camera operator, and video editor.Proficient in Final Cut Studio and Adobe Creative Suite applications, including Premiere, After Effects, and Photoshop.PORTFOLIO
About ME
I hold a Master of Arts in Journalism and have completed doctoral studies in Media Studies and Political Science, as well as formal training in documentary film directing. Since 2006, I have been gaining professional experience working in journalism, media, and film production.
After completing my studies, I worked with various private television stations, where I developed my skills in broadcasting and producing television programmes. In 2015 and 2016, I was responsible for production management and editorial work on a 400-page art book dedicated to promoting tolerance, which was accompanied by an exhibition in the main hall of Zurich’s train station.
I also served as an assistant and translator in the production of the film Who’s Afraid of Alice Miller?, directed by Daniel Howald, which was released in Swiss cinemas in 2020.
For the past eight years, I have been working at SRF, where I edit all magazine and news programmes. I also collaborate with other broadcasters such as RTS and RSI. From time to time, I also work as support on weekends, allocating editing suites to specific topics and journalists, and ensuring that both the editing and broadcasting of news programmes run smoothly and flawlessly.
Beyond my professional career, I am passionate about documentary film and alternative cinema, as well as poetry, photography, and music. I love capturing subtle emotions and fleeting moments through my lens and finding inspiration in diverse artistic expressions.
About ME
I hold a Master of Arts in Journalism and have completed doctoral studies in Media Studies and Political Science, as well as formal training in documentary film directing. Since 2006, I have been gaining professional experience working in journalism, media, and film production.
After completing my studies, I worked with various private television stations, where I developed my skills in broadcasting and producing television programmes. In 2015 and 2016, I was responsible for production management and editorial work on a 400-page art book dedicated to promoting tolerance, which was accompanied by an exhibition in the main hall of Zurich’s train station.
I also served as an assistant and translator in the production of the film Who’s Afraid of Alice Miller?, directed by Daniel Howald, which was released in Swiss cinemas in 2020.
For the past eight years, I have been working at SRF, where I edit all magazine and news programmes. I also collaborate with other broadcasters such as RTS and RSI. From time to time, I also work as support on weekends, allocating editing suites to specific topics and journalists, and ensuring that both the editing and broadcasting of news programmes run smoothly and flawlessly.
Beyond my professional career, I am passionate about documentary film and alternative cinema, as well as poetry, photography, and music. I love capturing subtle emotions and fleeting moments through my lens and finding inspiration in diverse artistic expressions.
Visual poetry
Double silence, double light. Visual poetry.
I edit feelings, not just images - nothing loud, everything true. Almost gone. Still mine. ✨
My photographs are like a whisper — delicate, unhurried, filled with breath. They tell stories of nature, of light, and of all that lies in between. I seek silence in images and sounds. I create visual poetry — subtle, honest, never loud.
I see the world like a dream woven from colors. I paint with light and shadow, holding my breath in the shimmer of leaves, the hush of water, the dance of clouds, and the glow of the moon. I search for fleeting moments and try to keep them safe within a frame. Music is to me what photography is: a space for emotions too deep for words. In my world, melodies play that few have ever heard, and every song is a key to memories. Beneath my photos, I leave haiku — whispered thoughts that linger in the quiet longer than any echo.
In my art, there is no noise — only melancholy and joy, intertwined in soft, pastel hues. Cities and clouds, water and leaves, people and solitude become gentle and luminous, as if they belong to poetry rather than mere photography. I paint the world with images that speak more than words. Each frame is a fragment of a poem, an album of moments caught between light and shadow, between the fleeting and the eternal. My art is a hymn to the quiet beauty of everyday life — to what is true and hushed, to what is almost invisible, yet touches the deepest chords of the soul.
Visual poetry
Double silence, double light. Visual poetry.
I edit feelings, not just images - nothing loud, everything true. Almost gone. Still mine. ✨
My photographs are like a whisper — delicate, unhurried, filled with breath. They tell stories of nature, of light, and of all that lies in between. I seek silence in images and sounds. I create visual poetry — subtle, honest, never loud.
I see the world like a dream woven from colors. I paint with light and shadow, holding my breath in the shimmer of leaves, the hush of water, the dance of clouds, and the glow of the moon. I search for fleeting moments and try to keep them safe within a frame. Music is to me what photography is: a space for emotions too deep for words. In my world, melodies play that few have ever heard, and every song is a key to memories. Beneath my photos, I leave haiku — whispered thoughts that linger in the quiet longer than any echo.
In my art, there is no noise — only melancholy and joy, intertwined in soft, pastel hues. Cities and clouds, water and leaves, people and solitude become gentle and luminous, as if they belong to poetry rather than mere photography. I paint the world with images that speak more than words. Each frame is a fragment of a poem, an album of moments caught between light and shadow, between the fleeting and the eternal. My art is a hymn to the quiet beauty of everyday life — to what is true and hushed, to what is almost invisible, yet touches the deepest chords of the soul.
The secret garden, all it takes is an open gate ✨
Zürich, 2025
This world keeps running, as if something might escape it. But the things that matter most don’t run. They sit quietly, watching, breathing.
Some nights exist only to make space for morning, and no one ever knows after which sunset a better world will begin.
The sky over Zurich, woven with the city’s luminous wires, a setting sun, and the soft glow above where clouds drift like silent thoughts over the gentle pulse of the city.
Fleeting beauty, frozen in time.
Krystian Zimerman, Tonhalle, Zürich 2025
Daydreaming
Zürich, 2025
Peace has found me.
Zürich, 2025
painted by me
painted by me
in the forest
heart of gold
MY WOODEN CANVAS
MY WOODEN CANVAS
where paint becomes dreamy and silence speaks
Brushes dipped in silence,
colours softened by memory.
Nothing loud – only what stayed.
My wooden canvas,
where dreams stain the grain
and stillness finally speaks.